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[Skotnes (Pippa) Editor] : SOUND FROM THE THINKING STRINGS, A visual, literary, archaeological and historical interpretation of the final years of /Xam life, Three original colour etchings and Seventeen original monochrome etchings by Pippa Skotnes, Translations from the Bleek and Lloyd collection of interviews with //Kabbo, /Han=Kasso and Dia!Kwain by Stephen Watson, Essays by John Parkington and Nigel Penn, foreword by Stephen Jay Gould

164 pages, large 4to (400 x 340 mm), quarter leather with paper covered boards, hand bound by Peter Carstens, cloth covered slipcase, a fine copy. No. 35 of an edition limited to 50 copies (with 10 artist's proofs), each copy is signed by all the contributors and each etching is signed and numbered by the artist, Axeage Private Press

All the etchings are printed from the original copper plates, on Zerkall Buetten paper. The embossings were hand-cut from copper plates. The text is set in 16 and 14 point Plantin by Hirt and Carter and screen printed by hand at Omega Art.

[Skotnes (Pippa) Editor] : SOUND FROM THE THINKING STRINGS, A visual, literary, archaeological and historical interpretation of the final years of /Xam life, Three original colour etchings and Seventeen original monochrome etchings by Pippa Skotnes, Translations from the Bleek and Lloyd collection of interviews with //Kabbo, /Han=Kasso and Dia!Kwain by Stephen Watson, Essays by John Parkington and Nigel Penn, foreword by Stephen Jay Gould

164 pages, large 4to (400 x 340 mm), quarter leather with paper covered boards, hand bound by Peter Carstens, cloth covered slipcase, a fine copy. No. 35 of an edition limited to 50 copies (with 10 artist's proofs), each copy is signed by all the contributors and each etching is signed and numbered by the artist, Axeage Private Press

All the etchings are printed from the original copper plates, on Zerkall Buetten paper. The embossings were hand-cut from copper plates. The text is set in 16 and 14 point Plantin by Hirt and Carter and screen printed by hand at Omega Art.

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